Archive for January, 2009

Out of the Past

Friday, January 30th, 2009

Just finished reading Out of the Past by R.W. Postgate. The cover describes the book as “Striking and unforgettable pen portraits of revolutionaries who almost succeeded.” I thought this was the best of them. Worth the read. Always love the accidental revolutionaries.

Louis Blanc was the living thought of the Revolution of ‘48. A few stray notes, preserved by chance, have kept for us some record of one of the actual leaders of the workers in the June battles. Hardly, perhaps, even a leader of that unorganized and dimly conscious mass, but one whom accident placed in their front line. His name was Louis Pujol.

He was a typical Frenchman, a fellow of Cyrano de Bergerac. He knew nothing of social history, or the class war, or the proletariat; courage and a touch of dramatic instinct were his only qualifications for leadership. Wine and women he loved, too much indeed, and bragging and rioting. But he saw a struggle going on, and he threw his sword on the side of the weaker and joined in the great adventure of the Revolution.

He had spent many years as an army “bad lot,” brave but undisciplined. 1848 brought him freedom. He was a violent orator and had published before the June days a rather ranting Prophecy of Days of Blood, which shows a slight literary talent run to seed. Then the Assembly decided in June to close down the National Workshops, where thousands had found an insufficient livelihood, and let the workers starve and wages reach their economic level. The workers, led by the delegates of the Luxembourg Assembly, showed they were going to fight. They demanded an interview with Marie, Minister of Public Works, and a delegation was introduced, headed by Pujol.

Marie was a whiskered, flabby-faced bureaucrat, who, like many weak men, took refuge in violent language. Pujol had hardly begun his speech when Marie interrupted him, saying he would not hear a man who had taken part in the earlier attempt to dissolve the Assembly. He pushed Pujol aside and asked the other delegates to speak. At once Pujol was awake: “No one speaks here before I do!” he cried. The delegates murmured their support. Marie angrily said: “Are you this man’s slaves?” Pujol replied: “You are insulting the people’s delegates.” Then Marie lost his temper. “Your heads are turned. It is Louis Blanc’s system. We won’t have it.” Pink with rage, he seized Pujol’s arm and shouted: “Do you realize you are speaking to a member of the Executive Power?”

Pujol threatened to withdraw, and Marie calmed down long enough to let him make a short speech about the February revolution and the misery of the workers. Then, finally, Marie spat out this: “Listen to this! If the workers refuse to obey the Assembly, we shall make them by force — by force, do you understand?”

The delgation left and Pujol reported the interview to the packed crowds in the street. He named six o’clock that evening (June 22) as the time for a final meeting in the Place du Pantheon, and 5000 or more met there and swore “to be faithful to the holy flag of the Republic.” They formed a column which marched through the East End of Paris by torchlight, collecting recruits till it reached some ten thousand. Late at night, in the Place du Pantheon, Pujol dismissed them with the words: “To-morrow here at six o’clock.”

Next morning Pujol and his followers kept their appointment. He watched for a little while in silence the enormous fluctuating crowd; then called on them to follow him. He led them to the place where the Bastille had once stood. He stood at the plinth of the column built to celebrate its fall and reminded the crowd that they were at the tomb of the first martyrs to liberty. At his demand they bared their heads and every man knelt. Then he said:

“Heroes of the Bastille! The heroes of the barricades have come to kneel at the foot of the monument erected to make you immortal. Like you, they have made a revolution at the price of their blood. But their blood has been barren. The revolution must be begun again.” Then he turned his eyes down to the people. “Friends, our cause is that of our fathers. They carried on their banners the words: Liberty or Death. Friends — Liberty or Death!”

Then he led them up the boulevard to the Rue St. Denis. Here the column stopped, and chiefs, appointed how we do not know, led detachments which scattered across the city, building barricades. In an hour Paris bristled with well-defended barricades.

The rest of the story is three days’ savage battle with the Paris garrison, ending with a proletarian defeat, rounded off by the shooting of prisoners, arrests and deportations. Pujol, who fought bravely with the rank and file, was to be deported to Cayenne, but his sister was able to get Louis Bonaparte to consent to his being imprisoned at Toulon. Soon after he was included in a general amnesty, but had to fly in 1853 to Spain, where he took part in the abortive Spanish Revolution. The Madrid Junta gave him the post of “Historiographer,” but when the revolution collapsed he had to fly again, and arrived in London at the end of 1855.

He very nearly starved there, but lived by teaching. And he was also unfortunate in his love affairs for the first time. One of his mistresses ran away with her own brother. He finally “married in the English manner” (say the notes of his life maliciously) a pretty and silly English girl. Restless as ever, he went with this mistress to America. What happened to him I do not know. It is said that he died in the Mexican war. But the last we really know of him is that he left for America in the year 1858.

Then he passes out of our sight, a wine-lover, a woman-lover, and a braggart, but a brave and honest man, a private whom accident made a leader. One out of many forgotten, whom chance has caused to be remembered, he vanishes from our knowledge with a laugh and the snatch of a bawdy song.

Outlaw Journalist: The Life and Times of Hunter S. Thompson

Wednesday, January 28th, 2009

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Unlike most of the heroes of the popular and counter cultures Hunter S. Thompson is someone who I’ve found gets more intriguing the deeper you dig. Unfortunately for fans of his most of the writers who have taken it upon themselves to document the man have had a hard time getting past the facade and have ultimately fallen into the dubious role of preservers of the myth of Hunter S. Thompson as Raoul Duke.

A serious study of the literacy legacy of Hunter S. Thompson and a nuanced biography of an infinitely complicated man, Outlaw Journalist by William McKeen is a crucial addition to the historiography of a true American Outlaw. Books like this are the reason why Hunter S. Thompson continues to be a relevant influence in my life. I constantly recommend this book to Hunter fans, both casual and rabid, and have always gotten positive feedback.

Below is a short interview I recently did with the author William McKeen.

I’ve seen a few different blurbs and read the bio on your website but I’m wondering if you can introduce yourself for those that don’t know.

I’m a professor and department chairman at the University of Florida. Been here since the mid-1980s. Taught at two other schools before coming here and before that, I was a magazine editor and a newspaper reporter. I met Hunter in 1978 and interviewed him then. Saw him again at the Democratic convention in 1984, when I was out in San Francisco covering it. I was asked in 1989 to write a book about him for a series on American writers. He was game to cooperate — in fact, I think he appreciated the fact that he was getting serious attention. Never saw him again, though he did call occasionally and sometimes invited me down to South Florida when he was visiting.

Can you tell me a little about your first experience with Hunter S. Thompson’s writings?

I was a kid, but was aware of the Hell’s Angels book when it appeared. I didn’t immediately make the connection when, in 1970, I read “The Battle of Aspen” in Rolling Stone. Fear and Loathing in Las Vegas, of course, deeply affected me. I recall a promo for it in Rolling Stone … in the same issue with a great Beach Boys profile by Tom Nolan … and the ad for it was just the first two paragraphs. I was hooked and never looked back. The following year, when I was covering the 1972 elections for my newspaper, all of us in the newsroom would grab the new Rolling Stone when it came in and read Hunter’s reports aloud. He was a tremendous influence on me and on my generation of journalists. I once, foolishly, tried to write like him. A colleague and I decided to cover the Mr. and Miss Nude America pageants, which were held together at a nudist colony not far from where we worked in Indiana. We decided it was ripe for the gonzo treatment. Struggling with the story, I learned that only one person could write gonzo and it wasn’t me. I’m glad I learned that early on.

What made Hunter a great journalist?

His voice. As with Mencken’s writing, you could take one sentence from a piece … take it out of context … and still recognize the writer’s DNA. He was a great craftsman (most of the time). He does not get enough credit for that.

What role do you think Hunter’s writings will play in the counter culture of future generations? Can the literacy legacy survive the popularization of the Hunter myth?

When I did my book, which came out in 1991, I made the case for him as the Mark Twain of the 20th Century. The editor kept taking that out. I put it back in and the editor took it out. You know how that ends — the editor wins. After Hunter’s death, Tom Wolfe called him the Mark Twain of the 20th Century and everyone thought he was a fucking genius. But I was there first.

I know that Anita Thompson has wholeheartedly recommended this book and that it has been critically applauded but I’m wondering how Outlaw Journalist has been received by some of the others who have documented Hunter’s life?

I haven’t heard from anyone else who’s done a book on Hunter, other than Bob Braudis, Michael Cleverly and Jay Cowan. All of those are post-mortem books, memoirs of their friendships with Hunter. They’ve been very kind. I interviewed Jann Wenner and he was very kind. He sent me an advance copy of Gonzo and so I returned the favor, but I haven’t heard back. I must tell you that my one real regret about my book is that it seems to come down too hard on Jann Wenner. I think there’s too much emphasis on the conflicts he had with Hunter. There’s not enough on his genius in working with Hunter. The guy created a magazine that was so important to me for so many years of my life. I think my life would have been diminished if he hadn’t created Rolling Stone. So having his portrayal in my book not reflect that — well, it makes me feel ungrateful to him. Other than that, I’m generally satisfied with the book. But sometimes you don’t see these things until it’s all bound and gagged and back from the printer.


In the preface you talk about having deliberately maintained a certain amount of distance from Hunter. You cite the received wisdom that “amateurs shouldn’t try to play with professionals” and I’m wondering if there were any other considerations that kept you from stepping further into his world?

Life is too short to spend much time fucked up. I toss back a few beers, but that’s about it. I like to keep a firm grip on reality. Honestly, if I drank more, I would have been one of those people Hunter would have considered a sloppy drunk. And as for drugs — I had my apprenticeship, but it’s just not for me. I’ve always been a person who regards sleep as the enemy. I want to accomplish a lot during this short time on earth. So I’ve never enjoyed hangovers.

Who was Garry Trudeau’s spy?

Don’t know. Trudeau didn’t respond to notes. One theory is that it was Wenner, but I have no good source on that.

What are you currently reading? Working on?

I’m reading lots of things because I’m the book editor of Creative Loafing in Tampa. I’m reviewing Nuclear Jellyfish by Tim Dorsey, who sees himself as a gonzo novelist. He’s very entertaining. At any second the new novel by Hunter’s friend Tom Corcoran will appear at my door. It’s called Hawk Channel Chase. Tom coauthored a screenplay with Hunter and they were very close during the Key West years. I dedicated a third of the book to Tom — the vowels. (The other two guys have to divide the consonants.) Also, for purely for pleasure, I’m finally reading the Snopes omnibus by Faulkner.

Thanks for taking the time to answer my questions William. Further reading at:

williammckeen.com

Creative Loafing

authwhore.com - Great review of Outlaw Journalist.

owlfarmblog.com - Website run by Anita Thompson, Hunter’s widow. I think I first read about Outlaw Journalist here.

gonzo.org - All things gonzo.

Bay Area Graffiti

Tuesday, January 27th, 2009

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Just came in today. From just a quick glance it seems a million times better than the LA Graffiti book that the same publisher, Mark Batty, put out. $45 and of course 20% off as are all hardcover new releases at Babylon Falling.

Also there will be a book release party at 111 Minna here in the city on February 6th. The majority of the writers featured in the book will be there so definitely bring the book (or buy it there) to get it signed.

More From Live Forever

Tuesday, January 27th, 2009

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Local artist, Babylon Falling neighbor, and fecalface.com contributor Megan Wolfe put up her review and photos from the opening reception of David Young’s show, Live Forever, that we had here a couple weeks ago. See the review and pics over at fecalface.com.

You can also see photos of the night at sfstation.com and at artbusiness.com

The show will be up through February 14th so stop by if you can. Best appreciated in person.

Big Up Vol. 2

Saturday, January 24th, 2009

Katya, Lud Dub and family keep the goodness coming with the second volume of Big Up Magazine featuring articles on Mad Professor (!), Andy Hixon, Plastician, Patrick Fatica, Freq Nasty, Vania Zouravlev, Starkey, and featuring artwork by David Choe on the Cover. Check out www.thebigupmagazine.com for content from past issues, links to their monthly podcasts, and much more.

Also, if you read this in time they’re having the issue release party tonight at Club Six.